Anne of Green Gables: The Continuing Story

Now in her twenties, Anne returns to Avonlea for the first time since Marilla Cuthbert’s death. Gilbert has been offered a position in a hospital in New York, and he persuades Anne to come with him. He arranges a position for her at a large publishing house. Big city life isn’t what they expected. Anne’s manuscript is stolen by a dashing American writer, Jack Garrison. Thus the stage is set for a final installment. The thrilling and affecting story follows the characters from New York, to Europe and the war effort, eventually returning them to the red earth of Prince Edward Island.

Megan Follows : Anne Shirley

Jonathan Crombie : Gilbert Blythe

Schuyler Grant : Diana Barry

Greg Spottiswood : Fred Wright

Patricia Hamilton : Rachel Lynde

Cameron Daddo : Jack Garrison



Character Bio: Anne Shirley

Now in her twenties, Anne returns to Avonlea for the first time since the death of her adoptive mother, Marilla. She learns that her fiancé, Gilbert Blythe, has accepted a staff position at the prestigious New York hospital where he had been studying. Gilbert convinces her to join him there and the two settle into city life after Anne takes a job at a large publishing house. However, Anne’s hopes for success in the big city are dashed when she meets American writer Jack Garrison, who has contrived a plan to steal her original manuscript.

Anne soon realizes her home is in Avonlea and decides to return there, where she and Gilbert are married. Gilbert announces his plan to enlist as a medical officer in the war, but soon after he leaves, Anne receives devastating news that he has gone missing. She then sets out to search for him, braving the battlefields of World War 1 to find the love of her life.

Actress Bio: Megan Follows

Megan Follows is the daughter of Ted Follows and Dawn Greenhalgh, who starred alongside Megan as "Mrs. Cadbury" in Kevin Sullivan's production of Anne of Green Gables. Megan's first break came with her role on the hit sitcom, The Facts of Life, which she starred in while living and attending school in Los Angeles. Follows was just 16 years old when she was chosen to play Anne, a role that earned her Gemini Awards for Best Performance by a Lead Actress in both 1986 and 1988. Megan Follows' many other credits include lead roles in the feature films Reluctant Angel, Deep Sleep and Silver Bullet. Her numerous television credits include guest appearances on CSI: Crime Scene Investigation, Cold Case, Robson Arms, Brothers & Sisters and Heartland. Her television movies include Kevin Sullivan's Under the Piano, which also stars Amanda Plummer, the Emmy Award-winning Inherit the Wind with Kirk Douglas, Clare's Wish, The Great Detective and a lead role in the mini-series Champagne Charlie. Follows' many stage credits include Stratford Festival's Romeo and Juliet and Amadeus, as well as Atlantic Theatre Festival's Uncle Vanya and A Doll's House. She had the leading role of May in a production of Fool for Love by Sam Shepard, mounted at Toronto's Soulpepper Theatre Company, of which she is still a member. Follows is married to fellow Canadian actor Stuart Hughes, and she divides her time between residences in Los Angeles and Toronto.

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Character Bio: Gilbert Blythe

After accepting a position at a prestigious New York hospital, Gilbert convinces his fiancée, Anne, to join him in the big city. However, he soon realizes that big city living is not for him and moves back to Avonlea with Anne. When an opportunity arises to enlist as a medical officer, Gilbert take it. Shortly after leaving, Anne receives news that Gilbert has gone missing and she makes it her mission to find him.

Actor Bio: Jonathan Crombie

Jonathan Crombie also performed the role of "Gilbert" as a guest star in Kevin Sullivan's Road to Avonlea. His many television credits include The Waiting Game, The Killing Fields, Earth: Final Conflict, 21 Jump Street and Alfred Hitchock Presents, along with the films Café Romeo and The Jeweller's Shop. On stage, Combie's numerous performances at the Stratford Festival Theatre include "Romeo" in Romeo & Juliet, "Orlando" in As You Like It and "Guildenstern" in Hamlet. His performance in the role of "Valentine Coverly" at the Canadian Stage Theatre's Acadia earned Crombie a 1997 Dora Mavor Moore Award nomination for Outstanding Performance.

 



Character Bio: Fred Wright

Fred Wright is the quiet husband of Anne’s best friend Diana Barry. Fred decides to enlist in the war effort, against Diana’s wishes, and soon after, word reaches home that Fred has gone missing and is presumed dead. Upon Anne’s arrival in France, she finds Fred - who is terribly wounded, but still alive. Anne then makes it her mission to help him make it home safely to his loving wife.

Character Bio: Greg Spottiswood

Greg started to act professionally when he was 17 years old. His role in Kevin Sullivan’s Looking For Miracles earned him a Daytime Emmy Award and a Gemini nomination for Best Lead Actor. While shooting Anne of Green Gables: The Continuing Story, Greg was also producing and directing his own short film; Learning to Swim. His stage credits include the Factory Theatre's Featuring Loretta, Theatre of Film Noir and Escape from Happiness, the Shaw Theatre's Simpleton of the Unexpected Isle, Rashamon, The Petrified Forest, Annajanska, and Busman's Honeymoon. For the Grand Theatre he appeared in Who's Afraid of Virgina Wolf? and The Zoo Story.

 



Character Bio: Diana Barry Wright

Diana, Anne’s best friend since childhood, sees her life turned upside down when her beloved husband Fred is sent off to war. Heartbroken, Diana witnesses other loved ones go missing, knowing that there is a great possibility for the same to happen to Fred. Her worries of something terrible happening to him come true when she learns the heart-wrenching news that he is missing and presumed dead.

Actress Bio: Schuyler Grant

Native Californian Schuyler Grant portrays "Diana", Anne's lifelong bosom friend. Grant's television credits also include the series Law & Order, the daytime drama All My Children and the TV movie Laura Lansing Slept Here, starring her great-aunt Katharine Hepburn. She also performed in the independent film Wrestling with Alligators, which was screened at the 1998 Sundance Film Festival.

On stage, Grant's numerous credits include Irish Rep productions of Major Barbara and The Importance of Being Earnest, Century's Pillars of Society, Western Union's Children of A Lesser God, Lemon Sky and Tribeca Lab's Macbeth. She has also toured Europe with the Art & Progress production of La Leçon. In 2000, Grant reprised the role of Diana Barry in Kevin Sullivan’s third installment in the Anne series, The Continuing Story.



Character Bio: Rachel Lynde

Known as the town gossip, Rachel Lynde’s blunt demeanor has a way of offending those she meets. She is outspoken in almost every topic, never holding back on dishing out advice, regardless of whether it is asked for or not.

Actress Bio: Patricia Hamilton

Patricia Hamilton continued to delight audiences with the character of Rachel Lynde in Kevin Sullivan's television series Road to Avonlea, the animated film Anne: Journey to Green Gables and Anne: The Animated Series on PBS. Over the course of her career, she has worked with a number of different theatres, including the Stratford Festival. She was the recipient of a Dora Mavor Moore Award as Best Supporting Actress for her role in I Am Yours and her role in A Bird in the House garnered her a 1975 Canadian Film Award. Hamilton has served as the Head of Drama at the Banff School of Fine Arts and she is also the founder and producer of Masterclass Theatre. Patricia was honoured with a Brenda Donohue Award for Distinguished Contribution to the Toronto Theatre in 1987.

 



Character Bio: Jack Garrison

Smooth-talking American writer Jack Garrison enters Anne Shirley’s life when she accepts a junior editing position in New York. However, Anne soon discovers that Jack planned to steal her original manuscript, which leaves her disillusioned. Anne then leaves the big city for the comfort of Avonlea, but in a bizarre twist-of-fate she is reunited with him in France. Jack is now working as a war correspondent, and travelling with a young French woman and their baby son, Dominic. When Jack disappears, Anne’s life is forever changed.

Actor Bio: Cameron Daddo

Mr. Daddo was born in Melbourne, Australia and made a name for himself as the host of the television show, Perfect Match. In 1992, he released a solo music album called A Long Goodbye. Since then, he has appeared in a number of television series, including Earth: Final Conflict, The Outer Limits, Monk, CSI: Crime Scene Investigation, CSI: Miami, Boston Legal, Without a Trace, and 24, to name a few. Cameron is also a producer and directed an episode of Hope Island - of which he was the star.

 

Kevin Sullivan : Executive Producer, Writer, Director

Trudy Grant : Co-Executive Producer

Stefan Scaini : Director

Laurie Pearson : Writer

Arthur Harriott : Production Designer

Bob Saad : Director of Photography

Ruth Secord : Costume Designer

Peter Breiner : Composer



Kevin Sullivan: Executive Producer, Writer

Kevin Sullivan is the President of Sullivan Entertainment Inc. which he and his partner, Trudy Grant, founded in 1979. Internationally recognized as one of the leading producers of high quality entertainment and renowned for his directorial ease with children and top performers, Mr. Sullivan has achieved myriad accolades and awards over the past two decades. His ability to consistently produce top-notch entertainment as well as to attract big name stars has enhanced the image of Sullivan Entertainment throughout the world.

Under Mr. Sullivan’s guidance Sullivan Entertainment has developed a distinctive brand of story-telling. Lavish productions that are emotionally compelling and entertaining have become the hallmark of the company Mr. Sullivan founded more than 20 years ago.

 


Trudy Grant: Co-Executive Producer

Trudy Grant is the President of Sullivan Entertainment International, which she founded in 1981. Through her leadership, the company has emerged as a major player in the world marketplace and particularly in the television arena.

Her involvement in distribution prompted her to form Sullivan Entertainment International to better administer the Sullivan product. The company’s penetration into many of the world’s less accessible markets makes it one of the few companies that can truly be considered international, having developed key relationships with buyers and financiers for various co-productions. One of Ms. Grant’s main achievements is the sale of the mini-series “Anne of Green Gables” to more than 120 countries around the globe.

Ms. Grant has evolved into the guiding light behind the company’s financial success. By strategically maximizing financial opportunities, Ms. Grant has built a very successful international business around the Sullivan brand.

 



Stefan Scaini: Director

Stefan Scaini is one of Canada’s foremost directors with hundreds of hours of film and television to his credit. Scaini’s first job in the entertainment industry was as a tape editor for CityPulse News in Toronto. Within a year, he was directing the nightly newscasts. While at CityTV, Scaini directed his first broadcast dramas, The Ghosts of Toronto and, coincidentally, The Mystery of Ambrose Small (the mystery which he later helped dramatize in Kevin Sullivan’s Sleeping Dogs Lie).

His television credits include multiple episodes of Degrassi: The Next Generation, the acclaimed Street Legal, Max Glick, The Odyssey, Ready or Not, My Secret Identity, White Fang, Fast Track, Beyond Reality, TekWar, Side Effects, Forever Knight, Second Chances, Hotel Malibu, and Savannah. He also directed several episodes of the Sullivan Entertainment series Road to Avonlea and Wind at My Back, as well as their Christmas specials, Happy Christmas, Miss King (or An Avonlea Christmas) and A Wind at My Back Christmas.

Scaini directed the television movie Under the Piano, starring Megan Follows, which earned him a Gemini nomination, The Prisoner of Zenda Inc., starring Jonathan Jackson and William Shatner, and Lyddie. More recently, he directed Sullivan Entertainment’s Sleeping Dogs Lie, starring Wendy Crewson, and in 2000 he stepped behind the camera for Sullivan’s Anne of Green Gables: The Continuing Story.


Laurie Pearson: Writer

As a writer, Laurie Pearson has partnered several times with Kevin Sullivan in order to bring his vision to the big screen. She has worked on numerous episodes of Road to Avonlea, Wind at my Back and Anne of Green Gables: The Continuing Story. Her most recent work includes writing for the Gemini Award-winning series, Cold Squad.

 


Arthur Harriott: Production Designer

Arthur Harriott and his team meticulously recreated the sets and the period costumes of the World War I era for Anne of Green Gables: The Continuing Story. Extensive research was required to create the film’s authentic settings. “We had to take the story from Prince Edward Island to Manhattan, to the battlefields of France, the streets of London and through all parts of Europe,” says Arthur. He also faced the challenge of giving the film the flavour of an international period piece while shooting in and around Toronto. “It’s rewarding to travel to different locations,” explains Herriott, “but it’s also rewarding to recreate foreign locations in your own backyard.” Herriott has previously worked on The Newsroom, Net Worth, The Suicide Murders, and Dieppe. His most recent credit includes work on the show So You Think You Can Dance Canada.

 


Ruth Secord: Costume Designer

“Having not done the other two Anne mini-series was my biggest challenge,” admits Costume Designer Ruth Secord. Sullivan Entertainment’s signature attention to detail and accuracy pushed Secord’s team into one of their most gratifying challenges while working on Anne of Green Gables: The Continuing Story. In just eight weeks, Secord and her team of cutters, tailors, and milliners researched, found and created authentic period costumes for 85 cast members and 3,000 background players. In a film that spanned Canada, the United States, France, Britain, and Germany, Secord was not only required to create civilian wardrobes but military uniforms indigenous to each of the five countries. Secord’s television credits include the Sullivan productions Sleeping Dogs Lie, Under the Piano, Wind at My Back, Promise the Moon, Butterbox Babies, Road to Avonlea and An Avonlea Christmas. Her film work includes Blown Away, Oh, What a Night, Beautiful dreamers, and Johnny Mnemonic and the recent production of Disney’s The Miracle Worker. She has most recently worked on the television series The Best Years and The Border.

 


Bob Saad: Director of Photography

Bob Saad has worked extensively in the film and television industry for over 25 years. He was the Director of Photography on Police Academy 3 and 4, The Morrison Murders, Sullivan productions of Road to Avonlea, Happy Christmas, Miss King (An Avonlea Christmas), Wind at My Back, Under the Piano, Sleeping Dogs Lie and The Piano Man’s Daughter. Bob is one of the many artists who have contributed to the definitive photographic style known as “The Sullivan Look”. He is beloved by actors and crew members alike for his incredible style and for the images he illuminates on film negative; not to mention the drama that he creates on-set with atmosphere and lighting.

 



Peter Breiner: Composer

Composer, conductor, pianist and arranger, Peter Breiner was born in the city of Humenné, in the former Czechoslovakia. He attended the Academy of Performing Arts in Bratislava where he studied composition and graduated with a Master’s Degree in 1982. His extensive work as a composer, conductor and performer have made him one of the world’s most recorded musicians and Czechoslovakia’s most famous composer/conductor. Breiner has collaborated with Director Kevin Sullivan on several of his projects, including: Anne of Green Gables: A New Beginning, Anne of Green Gables: The Continuing Story, Love On the Land, Wind at My Back, A Wind at My Back Christmas, Promise the Moon, Anne: The Animated Series, The Pianoman’s Daughter and The Magic Flute Diaries. Peter Breiner’s music can also be heard in episodes of numerous popular television programs such as CSI, Bold and the Beautiful and 60 Minutes.

 

The Continuing Story, Kevin Sullivan’s third installment in the Anne series, finds Anne and Gilbert embarking on their new life together at the brink of World War One. The film’s departure from the L.M. Montgomery novels that inspired the first two Anne movies is a result of the chronology that Sullivan created to interpret Anne’s life on the screen. Sullivan set the first Anne film just after the turn of the century (a decade later than Montgomery originally set her novel) because the early Edwardian era offered more interesting production design possibilities than the Victorian era. Between making The Sequel, which was set in 1905-1907, and The Continuing Story, Sullivan also created 91 episodes of the television series Road to Avonlea. This series, which took viewers through the years 1907 to 1914, culminated in An Avonlea Christmas – set at the outbreak of World War One.

When creating The Continuing Story, Sullivan decided to keep going in the chronological order he created for Anne. He had her story take place against the more mature background of the First World War. In Montgomery’s later novels, Anne and Gilbert are middle-aged parents and watch as their children go off to war. By depicting the struggles that Anne and Gilbert directly face in war-torn Europe, Sullivan wanted to make audiences aware of the reasons why they were so attached to the innocent world of Anne’s childhood in the first film. Anne’s story of survival is only more poignant when viewed against the sweeping changes in history that unfolded in this era.

Megan and Schuyler's relationship off-screen was reflected on-screen.

The shots on the road to Green Gables were shot at the same place at which Road to Avonlea was filmed.

The scene when Anne gets out of the car to run to Green Gables was shot in the autumn and the art crew had to spray-paint the leaves with an organic spray to make them appear green.

Megan does not run through the fields on the way to Green Gables; that's a double!

The Green Gables house was decimated one morning for filming, then was cleaned up and painted to shoot later scenes of the movie.

Anne's reaction to seeing Green Gables in shambles is quite genuine, for Megan herself had not seen the house since she worked on the last film twelve years earlier. Indeed, she had to be reminded that the house would look fine again by the end of the day.

The scene at the beach, when we first see Gilbert, was shot on Lake Ontario. Since the sand there is not red, the art crew had to spray the cliffs with organic red spray paint and put crushed brick down on the ground. Megan Follows was offered a stunt double for her fall in the sand, but she said, "Oh, no, I can do a pratfall quite well on my own, thank you." And, although they filmed a couple of takes, they stuck with the first one.

Megan and Schuyler's relationship off-screen was reflected on-screen.

The shots on the road to Green Gables were shot at the same place at which Road to Avonlea was filmed.

The scene when Anne gets out of the car to run to Green Gables was shot in the autumn and the art crew had to spray-paint the leaves with an organic spray to make them appear green.

Megan does not run through the fields on the way to Green Gables; that's a double!

The Green Gables house was decimated one morning for filming, then was cleaned up and painted to shoot later scenes of the movie.

Anne's reaction to seeing Green Gables in shambles is quite genuine, for Megan herself had not seen the house since she worked on the last film twelve years earlier. Indeed, she had to be reminded that the house would look fine again by the end of the day.

The scene at the beach, when we first see Gilbert, was shot on Lake Ontario. Since the sand there is not red, the art crew had to spray the cliffs with organic red spray paint and put crushed brick down on the ground. Megan Follows was offered a stunt double for her fall in the sand, but she said, "Oh, no, I can do a pratfall quite well on my own, thank you." And, although they filmed a couple of takes, they stuck with the first one.

Jonathan Crombie would often bring treats (candy, popcorn, etc.) for his fellow workers.

 

More : Trivia

Trivia

The scene before Anne enters Winfield Publishing house was shot in Montreal. The hospital scenes were shot at the Whitby Sanatorium. The surgery room was an old observation room in which surgeries actually once took place. You can see the outside of the Whitby Sanatorium when Gilbert goes to help Dr. Stuart at the convalescence home. Incidentally, the Sanatorium was originally built for veterans coming home from World War I.

The scene when Jack threatens to jump from the balcony was shot in Toronto just before Christmas, so Cameron Daddo sure must have been cold in his bare feet. (Note Megan's breath.)

Pictures of The Great Gatsby inspired the garden scene at Kit Garrison's house.

The scene on the street when Anne blows up at Jack was shot in two locations: the close-ups were filmed in Toronto and the wide shots were taken in Montreal - both about 6 weeks apart!

Jonathan Crombie struggled a bit with the scene where Fred tells him he's going off to join the war effort. Jonathan was not sure how to play the scene and the director told him to "just be his friend."

For the scene when Anne falls on the stairs in her wedding gown, the director offered her a pillow to land on, but she declined.

Originally, Sullivan planned (and shot) a wedding night scene, which you can see on the DVD extras.

The winter scenes were shot in the summer. That means the snow is fake and the actors are hot. The scene in the trench was shot in late November, so it was cold. Thus, we see Anne trembling quite a bit. You'll notice, however, that Jack and Colette aren't shaking as much. That's because there was a heater behind them to keep the baby warm. Since the movie was shot over three months, about four sets of twin babies were used to play Dominic.

The part of the trench scene when Anne goes up to get the horse is based on a true story of people who tried to get a horse they saw and wound up in a mine field.

The extra who played the man whose legs had been amputated (the scene is right before Anne boards the ship for London), is an actual Vietnam War veteran.

For the street scene before Mr. Keegan pays Anne a visit, leaves and kitty litter were thrown on the ground to cover the yellow lines in the street, and boxes were piled on the sidewalk to hide the parking meters.

Although Greg Spottiswood loves kids, every time a child was put in his arms, the baby started crying.

The scene where Elsie talks about "the boys" was taken from a diary of a woman who was a travelling entertainer during the war. Much of the escape scene (with Anne and Elsie) was ad-libbed.

The scene toward the end of the movie when Anne, Gilbert, Jack and his associate get ready to board the train home was the first scene shot.

 

Anne Shirley : Quotes

Gilbert Blythe : Quotes

Jack Garrison Jr : Quotes

Quotes from Anne

Anne Shirley: I've made up my mind to go to my grave unwept, unhonored and unsung.
Gilbert Blythe:: But not unpublished.

Anne Shirley: But I keep thinking, if he was really dead, surely I would know that in my heart. I would feel a terrible... emptiness.

Gilbert Blythe: Marry me now. Let me go.
Anne Shirley: Everything I ever loved gets taken away.

Anne Shirley: [laughing] Only my pride. Oh, Gil, help me up. I'm purely blind and a fool to boot! Oh, if I were blind, I should never forget the contours of your face. Why didn't you let me know?
Gilbert Blythe: Well, I wanted to see you face to face. I have something to ask you.

Anne Shirley: I do.
[kisses Gilbert]
Gilbert Blythe: Let's go take a walk down the lane!
[kiss each other again]

Anne Shirley: This is the most loving and generous thing anyone has ever done for me! It makes up for every unfulfilled dream I've ever contemplated!

Anne Shirley: What are you doing here?
Jack Garrison Jr.: I've been working as a war correspondent back and forth between London and Belgium for a year.
Anne Shirley: Putting the name Jack Garrison to good use?
Jack Garrison Jr.: Hasn't hurt. American papers love the sensation.
Anne Shirley: I'm sure they do.

Anne Shirley: [reading aloud to herself] 'Forever Into Eternity' by Anne Shirley.
Jack Garrison Jr.: You'll jinx yourself with titles like that, Miss Shirley.
[startles Anne]
Jack Garrison Jr.: Oh, don't be embarrassed. Half the people in this building are writing books on their lunch hour.
Anne Shirley: Y-y-you are, aren't you?
Jack Garrison Jr.: Jack Garrison.
Jack Garrison Jr.: My lawyer will be following up before I go to draft.
[pause]
Jack Garrison Jr.: You know, I have a moment. Why don't you tell me about your story. Maybe I can help you come up with a decent title.

 

Quotes from Gilbert Blythe

Gilbert Blythe:: You know, every day I would pick a different memory of you and play it over and over and over again in my mind, until every hair, every freckle, every part of you was exactly as I remembered.

Gilbert Blythe: Marry me now. Let me go.
Anne Shirley: Everything I ever loved gets taken away.

[Anne sees Gilbert and runs to meet him, but falls flat on her face]

Gilbert Blythe: Are you alright? Nothing broken or bent I hope.

Anne Shirley: [laughing] Only my pride. Oh, Gil, help me up. I'm purely blind and a fool to boot! Oh, if I were blind, I should never forget the contours of your face. Why didn't you let me know?
Gilbert Blythe: Well, I wanted to see you face to face. I have something to ask you.

Anne Shirley: I do.
[kisses Gilbert]
Gilbert Blythe: Let's go take a walk down the lane!
[kiss each other again]

 

Quotes from Jack Garrison Jr

Jack Garrison Jr.: No, true success requires passion and a vision. Not just dollars and sense, Mr. Owen.

Jack Garrison Jr.: You're going about it all topsy-turvy. You must absolutely always start with a firm premise and a solid ending.

Jack Garrison Jr.: Aim much higher creatively, if you want my opinion, Miss Shirley.

Anne Shirley: What are you doing here?
Jack Garrison Jr.: I've been working as a war correspondent back and forth between London and Belgium for a year.
Anne Shirley: Putting the name Jack Garrison to good use?
Jack Garrison Jr.: Hasn't hurt. American papers love the sensation.
Anne Shirley: I'm sure they do.

Anne Shirley: [reading aloud to herself] 'Forever Into Eternity' by Anne Shirley.
Jack Garrison Jr.: You'll jinx yourself with titles like that, Miss Shirley.
[startles Anne]
Jack Garrison Jr.: Oh, don't be embarrassed. Half the people in this building are writing books on their lunch hour.
Anne Shirley: Y-y-you are, aren't you?
Jack Garrison Jr.: Jack Garrison.
Jack Garrison Jr.: My lawyer will be following up before I go to draft.
[pause]
Jack Garrison Jr.: You know, I have a moment. Why don't you tell me about your story. Maybe I can help you come up with a decent title.


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